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If street art needed a king, then his name be Brad Downey. Downey, a Kentucky native, ticks all the boxes when it comes to what’s great about the art form: not only is he innovative and funny, but he’ll also get you rubbing your chin like you’re in a C+C Music Factory video.
Often dressing up as a council worker to
avoid detection, Downey specialises in skewing everyday urban objects into something a little different – and because he works with street signs, lamps and poles, his work is sometimes able to slip under the clean-up radar and stay in place for longer than more-obvious urban art.
There’s also a healthy serving of social commentary inherent in the art. Downey’s career began as a young(er) starving artist, when he noticed piles of “urban trash” lying unattended around New York’s city streets. It was the idea of placing his sculptures within the already-existing context provided by the street that sparked his interest. To Downey, the act of placing his sculptures where they aren’t permitted automatically politicises them, and becomes a statement on gallery versus street art.
Having worked extensively in New York City with other NY-local Darius and produced a documentary on street art (Public Discourse), Downey now lives and works independently in Berlin.
Above video courtesy of
Hobnox.
